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French BéRURIER NOIR - 1992 - ABRACADABOUM (LP)

Discussion in 'International anarcho-punk downloads' started by Anarcho-Punk.net, Aug 18, 2009.

  1. Anarcho-Punk.net

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    BéRURIER NOIR - 1992 - ABRACADABOUM (LP)
    ================================================================

    00-berurier_noir-abracadaboum-rh.nfo
    01 - L'empereur Tomato-Ketchup.mp3
    02 - Pavillon 36.mp3
    03 - Nuit Apache.mp3
    04 - Ibrahim.mp3
    05 - Vie De Singe.mp3
    06 - Tzigane, Tzigane.mp3
    07 - L'empereur Tomato-Ketchup Ii.mp3
    08 - Casse-Tete Chinois (Suivi De J.mp3
    09 - Jim-La-Jungle.mp3
    10 - S.O.S.mp3
    11 - Descendons Dans La Rue.mp3
    12 - Et Hop + Macadam Circus.mp3
    13 - On A Faim.mp3
    14 - Et Hop + Macadam Circus Ii.mp3
    15 - Nuit Apache Ii.mp3
    16 - Sur Les Toits (Suivi De Quarti.mp3
    17 - Mineurs En Danger.mp3
    18 - La Marche Funèbre De La Jeunes.mp3
    19 - Vietnam Laos Cambodge.mp3
    20 - Comme Un Bouddha.mp3
    _folderOpenImage.jpg
     
    Anarcho-Punk.net, Aug 18, 2009
    #1




    BéRURIER NOIR Biography

    Bérurier noir is a French punk band formed in Paris in 1983 by Loran (guitar), François (vocals) and Dédé (drum machine). They called themselves "noir" (black) for the color of mourning (because their first concert was planned to be also their last) and for anarchy and "Bérurier" after the character from the novels of Frédéric Dard. Instead of being an end, the success of their first show inspired them to continue. A cult band, Bérurier Noir were loved by a generation of youth and feared by concert organisers for the riots that followed their shows.

    On the one hand, Bérurier Noir's music was clearly derived from British punk rock as far as music and lyrics were concerned. Most of their songs were short, aggressive and usually based on a couple of basic power chords. Their lyrics reflected the typical concerns of punks such as the rejection of consumerism, politics and traditional social order and the anger felt by disaffected youth, tramps and outsiders in general. On the other, they added some interesting innovations. Their rhythm section consisted of a cheap drum machine, which became an essential and arguably endearing part of their sound. The frequent use of a saxophone as of the mid-eighties also set them apart from most other punk rock bands.

    They would regularly appear on record sleeves and on stage wearing clown outfits, mock police uniforms or pig masks. Their shows were a unique and highly festive cross between a punk rock concert, a grotesque circus and an anarchist rally.

    By 1985, the band had grown to include François Guillemot (vocals), Loran (guitar), Pascal kung fu (saxophone), Helno (backing vocals), Laul aka Bol (backing vocals), la grande Titi (backing vocals), la petite Titi (backing vocals).

    By 1987: François Guillemot (vocals), Loran (guitar), Masto (saxophone), Helno (backing vocals), Laul aka Bol (backing vocals), la grande Titi (backing vocals), la petite Titi (backing vocals).

    By 1989: François Guillemot (vocals), Loran (guitar), Masto (saxophone), la petite Titi (backing vocals), Jojo (fire breather and backing vocals).

    The band refused to make a profit and also to work. As a result, they lived precariously. In 1989, after three farewell concerts at the Paris Olympia, they disbanded. François later formed Molodoï and "François Béru et les Anges Déchus", Loran formed Ze6, Tromatism and later A.D. (Division de la horde).

    On December 4, 2003, they reunited for the release of a DVD documenting their career. The concert took place in the context of the Transmusicales in Rennes. They have since played other concerts, in Quebec and in Belgium.

    http://beruriernoir.fr/

    Read More...
    Disclaimer: this biography was gathered automatically through an external music database and could be inaccurate. We don't control the information found here.
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