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Stalag 17 - Stalag 17

Discussion in 'Anarcho-Punk music albums downloads' started by Anarcho-Punk.net, Jul 10, 2013.

  1. Anarcho-Punk.net

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    Aug 7, 2009
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    Stalag 17 - Stalag 17
    • 1.Party Talk.mp3
    • 10. Doomsday Machine.mp3
    • 2.Forgotten Victims.mp3
    • 3.Ready When You Are.mp3
    • 4.Sofa Head.mp3
    • 5.Cause Without A War.mp3
    • 6.Cornbread Peas And Black Molasses.mp3
    • 7.Yet Another Love Song.mp3
    • 8.Society's Fairytale.mp3
    • 9 Harmless Fun.mp3

      DOWNLOAD FULL ALBUM

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    Last edited by a moderator: May 29, 2017




    RECORD INFORMATION

    Stalag 17 / Stalag 18
    Release Date : 2016
    LISTEN ON YOUTUBE FIND VIDEOS MORE DOWNLOADS


    Stalag 17 Biography

    WEBSITE
    Born 1949 in Kingston, Jamaica,[1] Collins began his career as a drummer, moving to keyboards in the mid-1960s.[2] In the late 1960s, he performed with the Invincibles band (whose members also included Lloyd Parks, Sly Dunbar and Ranchie McLean. He played on The Maytals' "Pressure Drop" and "Sweet and Dandy".[2] After working with Lee "Scratch" Perry, Collins was part of the duo Dave and Ansel Collins along with Dave Barker, with whom he had a number one hit in the United Kingdom in 1971 with "Double Barrel".[2][3] His keyboard playing exemplified the Skinhead reggae style.[4] Collins is also a producer and has released solo records, including single sides "Cock Robin", "Atlantic One", "Stalag" and "Nuclear Weapon" between 1969 and 1971, as well as a handful of later albums. He was a member of 1970s Channel One studio band The Revolutionaries, as well as the Impact All Stars and Sugar Minott's Black Roots Players, performing on many of the classic songs of the roots reggae era (album 1979 Black Roots). He was also part of Jimmy Cliff's backing band, Oneness, in the 1970s.[2][5] He continued to record during the 1980s, mainly as a session musician, and released a solo album in 1986.[3]

    He also worked with backing bands such as Lynn Taitt and the Jets (including the reggae producer Joe Gibbs). In the 1970s, he was the regular member of the backing band The Aggrovators and the band Soul Syndicate. In 1978 he was the member of the band The Gladiators (1978 album Proverbial Reggae). He played keyboards on the several albums of the various musicians: albums of the dub musician Scientist Scientist Rids the World of the Evil Curse of the Vampires and Scientist in the Kingdom of Dub (1981), album of Rico Rodriguez Man from Wareika (1977), album of Lincoln Thompson Natural Wild (1980), album of Augustus Pablo This Is Augustus Pablo (1974), albums of Black Uhuru Sinsemilla (1980) and Chill Out (1982), albums of Jimmy Cliff Give Thankx (1978), album of King Tubby and Prince Jammy His Majesty's Dub (1976), Cliff Hanger (1985) and Humanitarian (1999), album of The Royals Pick Up the Pieces (1977), album of Mighty Diamonds Right Time (1976), album of Gregory Isaacs Cool Ruler (1978), album of Prince Far I Health and Strength (1998), but also on the albums of the musicians like Serge Gainsbourg (Aux armes et cætera, 1979). Mid-1970s, reggae Culture began working with some of the premier musicians of the day including Ansel Collins, Robbie Shakespeare, Sly Dunbar, Cedric Brooks and the ever-present percussionist Sticky. Collins worked with the guitarist Earl "Chinna" Smith and with the deejay Errol Scorcher on a series off recordings including "Mosquitoes", which was also a hit.[6]
    Roots reggae singer I Wayne was raised by his aunt and her husband Ansel Collins.[7]

    [1] Dave & Ansel Collins profile at bbc.co.uk
    [2] Campbell, Howard (2018) "Ansell Collins: Man behind the beats Archived 18 February 2018 at the Wayback Machine", Jamaica Observer, 14 February 2018. Retrieved 17 February 2018
    [3] Larkin, Colin (1998). The Virgin Encyclopedia of Reggae. Virgin Books. ISBN 0-7535-0242-9.
    [4] Barrow, Steve; Dalton, Peter (1997). Reggae: The Rough Guide. Rough Guides. ISBN 1-85828-247-0.
    [5] Thompson, Dave (2002). Reggae & Caribbean Music. Backbeat Books. ISBN 0-87930-655-6.
    [6] Larkin, Colin (1998) "The Virgin Encyclopedia of Reggae", Virgin Books, ISBN 0-7535-0242-9
    [7] Meschino, Patricia (26 May 2005). "Lava Man". Miami New Times. Retrieved 4 January 2007.

    from Wikipédia
    ---

    Stalag 17 were an anarcho-punk band from Belfast, Northern Ireland that existed from 1980 to 1987.

    Formed in Belfast by the members of three other punk bands, The Stillborns, Maimed and Paranoid, the band began writing their own material and covering contemporary punk bands such as The Mekons. After several gigs in and around Belfast the band recorded their first demo and began playing in the Belfast Anarchy Centre, supporting other anarcho-punk bands The Poison Girls and Crass. In the early 80's line-up changes and hostility from National Front activists plagued the band.

    It wasn't until 1983 that established punk venues began to be formed around Belfast, notably the Manhattan near Belfast city centre as well as The Labour club. This allowed a punk scene to become developed within the city, with Stalag 17 playing alongside bands such as Toxic Waste. Members of the band got involved with Belfast Anarchist bookshop Just Books and began to establish associations with stalwarts of the anarcho-punk scene that began to tour Belfast such as Conflict, The Subhumans and DIRT. Conflict offered Stalag 17 a place on the Mortarhate compilation We Don't Want Your Fucking War, and the interest created by that compilation led to a split 12" with Toxic Waste, The Truth Will Be Heard.

    In 1985 the band left for an ill-fated seven date tour of Scotland and England, beginning in Edinburgh where they supported the later to be famous Primal Scream and Shop Assistants. During this tour over half the gigs were cancelled (without prior notice) and the band had to spend all their money repairing their tour van and eventually resorted to siphoning their way back home. On their return the band released their first 'proper' demo 'From Belfast with Love' (titled so in reaction to Mortorhate's decision to catalogue the 'The Truth Will be Heard' 12" as 'From Belfast with Blood' - without either of the band's consent and much to their disgust). The demo was a collection of studio tracks and a live recording from The Station in Gateshead. During the rest of 1985 the band recorded a track for the Words of Warning label's first release 'You Are Not Alone' alongside Oi Polloi and then in 1986 spent a more successful three-week tour in Europe. 1986 also saw the band recording tracks for the 'We Will be Free' album, which also hosted Toxic Waste and Asylum.

    The band recorded two more demos ("And All the Birdies Sang Fuck This for a Lark" and "Erection 87"). In 1987 the band played 2 gigs in Scotland. However, general dissatisfaction within the band meant the gigs would be their last. The demo 17 from 17 was released after the bands demise. Petesy, the band's vocalist was later to play in FUAL and join Northern Irish 'Punk Supergroup' Shame Academy comprising ex members of Rudi and The Outcasts. More recently Petesy, Mickey (the original drummer) and Joe (bass player) formed A-Political with Ali Curry.


    There was another punk band called Stalag 17 from Bologna, Italy.

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    Disclaimer: this biography was gathered automatically through an external music database and could be inaccurate. We don't control the information found here.


    Label - Techniques

    Hugely successful reggae label from Kingston, Jamaica founded and run by Winston Riley in the Rocksteady years continued its tradition with Lovers' and Roots releases, later featuring Deejays and Dancehall artists, often reviving earlier tunes.
    Please use Techniques also for imprints from the UK, USA and Canada. For company credits distribution, licensing and copyright please use Techniques Records.
    The UK label of the same name (subsidiary of Trojan Records and with a different label design - marketed and distributed by Trojan Records Ltd.) was set up initially to release the producer's output but soon embraced releases by a number of other Jamaican producers that weren't involved with the original Jamaican label.
    Please note the number 92-26832 found on many Jamaican releases is not a catalogue number, but the label's telephone number.
    Read More...
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